We’re finally back in the saddle this week with a Christmas movie that made all of us feel extremely old. It’s the Netflix original film Let It Snow, which follows three sets of teens on Christmas Eve, each in search of love in one form or another. Naturally, all of these stories converge, and we have a real Love, Actually situation on our hands.
This one actually turns out to be a pretty open and shut case for us. It is exactly the film that you think it is, but that doesn’t necessarily have to be a bad thing. So hop on in and join us as we beg for some snow!
Last year, in the middle of COVID lockdown, Joe and Bradford got good and drunk one night and recorded three episodes of a brand new podcast all about The Adventures of Pete & Pete. What you’re about to hear is the first episode, in which we discuss Season 1, Episode 1: “King of the Road”.
Topics of discussion include: Our own adventures at the Hoover Dam, our first encounters with the internet, the storied career of Toby Huss, Wellsville and the End of History, and whether or not we would return to the 90s if given the opportunity.
This week we remember the late, great Christopher Plummer with a look at the 1978 heist thriller The Silent Partner. Plummer plays a bank robber disguised as a mall Santa; Elliot Gould plays the bank teller who sees him coming and takes the opportunity to pull a heist of his own. The cat and mouse game that ensues is as chilling as it is entertaining.
Also in this episode, we try to figure out why kids in this movie sing “Away in a Manger” wrong, ponder how to spend $48000 in the most boring white bread ways imaginable, and come to terms with the fact that both Elliot Gould and Christopher Plummer were undeniable smokeshows in their day.
Kurt Russell is back as everyone’s favorite Santa for another wacky holiday adventure! It’s Christmas Chronicles 2, a film that opens up the world of Santa and the North Pole, but in the process squanders practically everything that made the first film so charming.
Also in this episode, we get into the proliferation of the dead parent trope, the further retreading of Chris Columbus’ filmography, and the inevitable Christmas Chronicles/Fast & Furious crossover we all know is coming. We then attempt to completely rewrite this series, because we’re desperate for fun around here…
Happy New Year, everyone! We’re back in the saddle after a long winter’s nap, and after this week’s episode we may be rethinking that…
This week we unravel the baffling existence of Rapsittie Street Kids: Believe in Santa! This CG-animated special aired in 2002 on the now-defunct WB channel, never to be seen again. Never, that is, until internet sleuths dug it up and rescued it from obscurity. Rapsittie Street Kids tests the limits of what can rightly be called animation. With real celebrity voice talent and a handful of musical numbers, there’s no denying the effort, but…well I mean, just look at it!
Merry Christmas to one and all! The big day is finally here!
This time every year, we like to celebrate July At Christmas with an obnoxiously patriotic action film! This year, we’re dipping back into one of our favorite series with Live Free or Die Hard! It’s a Die Hard! It’s a 4th of July movie! It’s got everything!
Okay, so maybe that last part isn’t true. It’s fun enough for a Die Hard movie, but this episode also gives us a chance to discuss a handful of other topics, including Christmas movie titles from around the world, the state of the internet in 2007, and how on earth a bunch of super-nerds never noticed giant C-4 bricks in their fancy Alienware computers…
The nightly twinkling of millions of tiny LED Christmas lights can only mean one thing: The holiday season is officially upon us. That means home cooked meals and dysfunctional family visits and traumatic memories suppressed with copious amounts of egg nog. With that in mind, this week’s episode is about all of those things! On this episode we’re talking about the 2004 holiday stinker Surviving Christmas.
Ben Affleck is back as a miserable ad executive who pays the family living in his childhood home a large sum of money to pretend to be his family for Christmas. He desperately mugs and shticks his way through 90 minutes of tired Christmas jokes hoping against hope that at least one person out there will laugh. By the end of it all we find ourselves reminiscing about old episodes of Doug and wishing Ben Affleck had played ALF. Literally anything to stave off the the boredom of having to talk about Surviving Christmas.
Welcome to our fourth annual Shane Black Friday, celebrating the works of writer/director Shane Black! On this year’s edition, our pal Libby Cudmore returns to help us figure out why the hell we decided to watch the 1991 Bruce Willis/Damon Wayans actionfest The Last Boy Scout.
Buckle up, because this episode is absolute chaos. The Last Boy Scout has almost nothing to do with Christmas. We discuss the inclusion of “Satan Claus”, and whether or not this movie being about family is enough of a case to call it Christmasy. We also inflict some truly gross holiday foods upon ourselves, so hopefully the Christmas spirit is alive and well in one of us at the end of this ordeal.
This week we’re joined by filmmakers Jake Horowitz and Andy Lewis to discuss their new film Cup of Cheer, as well as the Rankin/Bass animated classic Frosty The Snowman!
Jake and Andy are the co-writers (and Jake the director) of the new holiday comedy Cup of Cheer! If you’re a fan of the cozy, familiar Christmas movies that flood cable TV this time of year, or even if you’re not, then Cup of Cheer will be right up your alley. It’s a big, goofy parody of the genre in the tradition of Airplane!, only with loads more Christmas trees and snow and awkward small-town romance.
On this episode we sit down with Jake and Andy to discuss the inspiration for their film, as well as some of their childhood favorites. This leads into a discussion of Frosty The Snowman and its place in the greater Rankin/Bass Cinematic Universe!
Home for the Horrordays continues! Released in 1980, Christmas Evil was sold to cash in on the success of Halloween or Friday the 13th. While it bears many of the hallmarks of a typical 80s slasher film, what sets this one apart is how deeply we come to understand its main character, Harry. He’s a disturbed individual, and we watch as he makes preparations to become his town’s Santa Claus, delivering toys to good children, and dishing out pain to the naughty. Join us and find out why John Waters calls this his favorite Christmas movie!